Three Movies to Start the Summer (in the theatre)

It is so good to be back in the movie theatre again. The vulnerability, air conditioning, and the screen of hopeful unpredictability are all part of the magical moviegoing experience that you simply cannot recreate at home with the pause button and ability to leave the action whenever you please (air conditioning optional). Today, I... Continue Reading →

Tenet: Why So Serious?

A friend of mine suggested an interesting notion for Christopher Nolan to consider: What about just writing the screenplay and leaving the artistic decisions to a different director? Would the never-ending 150 minutes go by faster? Would the main characters possess a heart and earn viewer empathy? Finally, would Nolan’s astounding time warp perplexities include... Continue Reading →

Beastie Boys Story a Nostalgic Trip

It’s the summer of ‘94 in my best friend’s basement, and we’re watching MTV music videos at full blast. Soon, we see three skinny, pale guys dressed in ‘70s era undercover cop garbs with fake mustaches running wild through alleyways. Their hideous striped ties and shaggy wigs fly in their faces. The music behind the... Continue Reading →

Flashback: The Dark Knight (2008)

No CGI-infested, Jack Nicholson-spectacled, comic book-possessed entry of the Batman filmography can ever top the mastery behind Christopher Nolan’s The Dark Knight (2008).   When it was first released, this masterpiece with wings had three audiences: One for the sequel of Nolan's Batman Begins (2005), one for another interpretation of what was the sixth Batman-related... Continue Reading →

Flashback: Bernie (2011)

I love my unique first name. Even with its immediate connection to the presidential race dropout, Senator Bernie Sanders, I find my Bernie identity special. Heck, I’m the second youngest Bernie I know! Before Sanders, people used to associate my name to the comedy, Weekend at Bernie’s (1989), in which the titular character’s murdered body... Continue Reading →

Flashback: Contagion (2011)

Although this Steven Soderbergh thriller is a bit dated, its subject matter couldn’t be any more timely. As the Coronavirus continues to make headlines and possibly touch the lives of people we know, a sense of fear is expected. For me, the manufactured fear found in movies is a necessary antidote. Contagion suffices (for now).... Continue Reading →

A Lesson for Ari Aster in The Lodge

Take it from Alan Alda in Crimes and Misdemeanors (1989) when he says, “If it bends, it’s funny. If it breaks, it’s not funny.” The same can be said about thrillers and horrors where suspension of disbelief is so fragile, the moment you push the otherworldly button too soon or too forcefully, you break the... Continue Reading →

Ford v Ferrari: Vroom to the Best of 2019

There’s a reason Kenneth Turan of the Los Angeles Times placed Ford v Ferrari as his top film of 2019: It is a refreshingly uncontrived look at male camaraderie, and it revitalizes the sports movie genre, even if you have a low motorsports IQ. Yes, there are several mentionings of 427-cubic-inch big-block engines, GT40 acronyms,... Continue Reading →

The Lighthouse Madness

Two grown men are stranded on a remote island with flatulence abound. This is not going to be a popular mainstream movie. Add black and white photography, an alien dialect of 1890s New England, and the claustrophobia of a shoddy lighthouse, most Marvel Comic Universe fanatics will tear their hair out. For me, The Lighthouse... Continue Reading →

Behind the Curve (2018) ****

The content (people who still actually believe the earth is flat) may be more fascinating than its basic execution, but this doc succeeds by not judging its subjects and simply hitting the record button. The “flat-earthers” kind of just do their thing, and we might roll our eyes as much as feel sorry for them.... Continue Reading →

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