"The narcissism of small differences leads to the most boring kind of conformity." Filmmaker Todd Field’s previous masterpieces in In the Bedroom (2001) and Little Children (2006) invite the viewer behind the closed doors of a darker American suburbia where secrets fester and unethical decisions are made. On the surface, we may be quick to... Continue Reading →
Rear Window (1954): A Timely Feature
Quarantine. Lockdown. Shelter in place. No one would have guessed such dystopian, sci-fi concepts would become a reality for the last three months of our lives. L.B. “Jeff” Jefferies could empathize. He broke his leg and has been wheelchair-ridden in his small, quaint New York City apartment for six weeks. The once renowned freelance photojournalist... Continue Reading →
Magnolia: How do you make God laugh?
As much as I want to discuss the ending to Magnolia, I am also ecstatic for the human being who has yet to see this remarkable film (and that extraordinary ending). I promise I am not giving anything away when I say that the ending has a lot to do with what is happening to... Continue Reading →
1917 Breaks Ground on the War Epic
1917 is a miracle in filmmaking. Never have I been so deep-seated in a journey through the shrapnel-infested bloodshed of war and my theatre chair at the same time. I blame it all on the camera work. The camera puts you right there. As British soldiers Blake (Dean-Charles Chapman) and Schofield (George MacKay) deliver a... Continue Reading →
Reely Bernie's Top Ten Movies of 2010-2019
Top Ten lists are the most personal, subjective, and ludicrous arrangements in the universe. If there’s one essential purpose to their existence, it’s that they instigate conversation, harmless controversy, and passionate opinion sharing. Ambiguous weight is placed on terms like “Top,” “Greatest,” or “Most Influential.” Overall, I think these lists we make are simply our... Continue Reading →
Best Second Movies in a Series
se – quel noun a published, broadcast, or recorded work that continues the story or develops the theme of an earlier one. Okay, so technically, Return of the Jedi (1983), The Godfather: Part III (1990), and The Lord of the Rings: The Return of the King (2003), are all “sequels.” Well, this blog post is... Continue Reading →
Poltergeist: My First Horror
I am only 5 years old, running aimlessly around the neighborhood cul de sac like any 5-year-old would do. “Poltergeist is playing, Poltergeist is playing!” yells Deedoo, my next door neighbor who’s one year younger than me. I have no idea what “Poltergeist” is. Is it a TV show maybe having something to do with Star Wars... Continue Reading →
Spider-Man: Into the Spider-Verse
I realize I'm alone in the (Marvel) universe when I say I’m not a fan of the tiresome outburst of comic book/superhero movies, and I see no point in differentiating the two descriptors because they, more or less, follow the same tiresome formula: Arrogant hero + desensitizing CGI +/- obligatory love interest + forgettable villain... Continue Reading →
How I Rate the Movies
Rating movies couldn't be any more subjective, personal, and inconsistent. One thing is for sure - a "great" movie doesn't necessarily mean it's a "favorite" movie. I mean, my favorite bad movie is Weekend at Bernie's (for obvious reasons), but I won't be seeing the great Gone with the Wind again because it will take... Continue Reading →
Portrait of an Artist: Pollock (2000)
To me, no other movie follows, portrays, captures, embraces, forgives, and, most importantly, empathizes a human being more than Ed Harris’ auteuristic gift in Pollock. I have seen the film from its birth in the theatre in 2000 up to 12 more times, and I am still in awe at how much it continues to... Continue Reading →