This hobby blog is dedicated to movie nerdom, nostalgia, and the occasional escape. In the late 90s, I worked at Blockbuster Video, where they let me take home two free movies a day. I caught up on the classics and reviewed theatrical releases for Denver 'burbs newspapers and magazines. When time is free between teaching high school music and being a dad, movies are standard. Comments and dialogue encouraged!
As some of you may know, I like to reserve my horror movies for the month of October. However, because I'm a sucker for the found footage genre, and January expectedly provides so little potential in theatrical selections, I had to give this critically acclaimed oddity a chance. I'm glad I did, and I'm grateful... Continue Reading →
This was my favorite stretch of movies since the dire reality of March of 2020. Laughing at the face of COVID with new, audacious filmmaking playbooks and neo-classical perspectives, 2022 cracked the medium wide open. This was also a tougher year for me to choose just ten. I realize many will have Everything Everywhere All... Continue Reading →
Before I share my Top Ten of 2022 next week, I thought it might be fun to dish out my least favorite experiences watching movies this year. Like an expired carton of milk, the nausea of the flu during Thanksgiving break, or the wretched shrieking of a toddler, bad movies do exist, and they can... Continue Reading →
Steven Spielberg is the movie industry’s ultimate protagonist, an influencer of the coming-of-age narrative, and an auteur of visual storytelling. Born into the Spielbergian suburbs of the 80s, I was blessed to grow up with his imagination and knack for child-height thrills. Little did I know that Spielberg instilled a tiny moviegoer in me in... Continue Reading →
Playwright Martin McDonagh writes with a knife to a rock, etching in truths that are hard for his characters to swallow. “I just don’t like you no more,” Colm Doherty tells his long-time friend and drinking buddy, Pádraic Súilleabháin. It is the stuff of absurd finality that one either laughs off as “only the Irish”... Continue Reading →
"The narcissism of small differences leads to the most boring kind of conformity." Filmmaker Todd Field’s previous masterpieces in In the Bedroom (2001) and Little Children (2006) invite the viewer behind the closed doors of a darker American suburbia where secrets fester and unethical decisions are made. On the surface, we may be quick to... Continue Reading →
I always thought David Bowie, the person, was more intriguing than David Bowie, the musician. Something about the mystique of his androgynous alter persona and heavily costumed stagecraft usurped the controls from anything musicological or biographically revelatory. I think the very private "Mr. Stardust" himself would have liked it that way. Director Brett Morgen's Moonage... Continue Reading →
Idris Elba is the bomb. Whether he’s laundering money in “The Wire,” sporting an office cubicle suit while supervising Michael Scott, or lawyering it up in my favorite role of his in Molly’s Game (2017) —Elba exudes a Denzel Washington-like glide (his admitted influence) and the subdued empathy of a flawed saint. The role of... Continue Reading →
Until its “ah-ha” moment at the end, Jordan Peele’s Get Out (2017) was a unique blend of almost satire, almost horror, and almost socioracial statement. Staying at almost would have kept it above standard, but there’s no denying the ending was a predictable horror movie cliché. Peele’s second round with Us (2019) also started strong... Continue Reading →
Watching a Baz Luhrmann movie is like sitting in front of a gold confetti-blasting canon. It’s style over substance, obnoxious over subtle — a nightmare for minimalist cinephiles like me. For anyone with a smidgen of an attention span, conveying a groundbreaking musician’s artistry on film just takes hitting a record button. Ever see last... Continue Reading →
An argument can be made that anything “Marvel Cinema Universe” is the same movie with 27 different titles. The formula never fails: Arrogant, grumpy, or emotionless hero + desensitizing CGI +/- obligatory love interest + forgettable villain who always possesses one less level of power = box office points. The DC Comics movies are no... Continue Reading →
I remember seeing the trailer for this movie last year and thinking, “This looks like an ode to late-twenties selfishness. Puke.” But, then I thought: Isn’t that exactly the time when someone should be selfish, especially when it comes to relationships? Isn’t that exactly the time we are supposed to date in person (or online),... Continue Reading →
The nuanced performance of Kristen Stewart as Princess Diana, the psychological interpretation of Director Pablo Larraín, and the mystery of what happens behind closed doors are exactly why the film medium was created in the first place: These components call for a multi-sensory experience of what could be safely read but valued more when felt.... Continue Reading →
I never finished Frank Herbert’s novel; David Lynch’s movie adaptation put me to sleep; and I read enough about Denis Villeneuve’s latest being all set up with no payoff. This all being said, I went into Dune with no expectations because I didn’t think I earned them. I left Dune wholly enthralled. I was and... Continue Reading →
Filmmaker Paul Schrader is renown for taking us to the dingiest of places and introducing us to the gloomiest of people, and these are good reasons to watch the movies in the first place. Hopefully, we don’t want to be the imploding taxi driver, raging middleweight boxer, or guilt-ridden Calvinist priest, but it is surely... Continue Reading →
It is so good to be back in the movie theatre again. The vulnerability, air conditioning, and the screen of hopeful unpredictability are all part of the magical moviegoing experience that you simply cannot recreate at home with the pause button and ability to leave the action whenever you please (air conditioning optional). Today, I... Continue Reading →
For me, it was the smell. An amalgamation of Milk Duds, buttery popcorn, and hard-shell plastic would rush through my nose the moment I opened the glass door. It was the smell of nostalgia long before I was old enough to be nostalgic. It reminded me that movies were comfort, and comfort was home. In... Continue Reading →
Ugh, what a year. I'm finally compiling the movies I enjoyed from 2020, and I find myself laughing at the horror of it all. It wasn't a bad year in film, but it wasn't all that great either. The year in general ended with a silver lining, as my wife and I welcomed a healthy... Continue Reading →
A Christmas movie may include anything from Jesus Christ’s birth to the gruesome pressures of trying to please family members around the dinner table. It can involve the magic of time travel and flying reindeer, or the lack of magic when life is lonely. Either way, the Christmas movie absolutely has to involve these two... Continue Reading →
The power of The Force was found in my in-law’s basement where my brother-in-law made room for everyone to team-assemble his latest LEGO set – the Mos Eisley Cantina: “I’m a collector,” he said as he opened the gigantic box and dumped the bagged 3,187 pieces on to the table. In the background on three... Continue Reading →
It all starts with this leaf. For me, this fallen amber-hued leaf represents the promise of the upcoming autumn season, which is undoubtedly my favorite season of the year. Radiant colors begin appearing on trees and end up on the ground to a crackling sound that brings you back to younger days. This is the... Continue Reading →
A friend of mine suggested an interesting notion for Christopher Nolan to consider: What about just writing the screenplay and leaving the artistic decisions to a different director? Would the never-ending 150 minutes go by faster? Would the main characters possess a heart and earn viewer empathy? Finally, would Nolan’s astounding time warp perplexities include... Continue Reading →
It’s the summer of ‘94 in my best friend’s basement, and we’re watching MTV music videos at full blast. Soon, we see three skinny, pale guys dressed in ‘70s era undercover cop garbs with fake mustaches running wild through alleyways. Their hideous striped ties and shaggy wigs fly in their faces. The music behind the... Continue Reading →
No CGI-infested, Jack Nicholson-spectacled, comic book-possessed entry of the Batman filmography can ever top the mastery behind Christopher Nolan’s The Dark Knight (2008). When it was first released, this masterpiece with wings had three audiences: One for the sequel of Nolan's Batman Begins (2005), one for another interpretation of what was the sixth Batman-related... Continue Reading →
Reely Bernie 