Underrated Christmas Movies for All!

A Christmas movie may include anything from Jesus Christ’s birth to the gruesome pressures of trying to please family members around the dinner table. It can involve the magic of time travel and flying reindeer, or the lack of magic when life is lonely. Either way, the Christmas movie absolutely has to involve these two... Continue Reading →

Tenet: Why So Serious?

A friend of mine suggested an interesting notion for Christopher Nolan to consider: What about just writing the screenplay and leaving the artistic decisions to a different director? Would the never-ending 150 minutes go by faster? Would the main characters possess a heart and earn viewer empathy? Finally, would Nolan’s astounding time warp perplexities include... Continue Reading →

Beastie Boys Story a Nostalgic Trip

It’s the summer of ‘94 in my best friend’s basement, and we’re watching MTV music videos at full blast. Soon, we see three skinny, pale guys dressed in ‘70s era undercover cop garbs with fake mustaches running wild through alleyways. Their hideous striped ties and shaggy wigs fly in their faces. The music behind the... Continue Reading →

Flashback: The Dark Knight (2008)

No CGI-infested, Jack Nicholson-spectacled, comic book-possessed entry of the Batman filmography can ever top the mastery behind Christopher Nolan’s The Dark Knight (2008).   When it was first released, this masterpiece with wings had three audiences: One for the sequel of Nolan's Batman Begins (2005), one for another interpretation of what was the sixth Batman-related... Continue Reading →

Flashback: Bernie (2011)

I love my unique first name. Even with its immediate connection to the presidential race dropout, Senator Bernie Sanders, I find my Bernie identity special. Heck, I’m the second youngest Bernie I know! Before Sanders, people used to associate my name to the comedy, Weekend at Bernie’s (1989), in which the titular character’s murdered body... Continue Reading →

Flashback: Interstellar (2014)

Nothing can ever replace my experience of seeing Interstellar for the first time in the theatre. The perplexities of time warp in galaxial black holes, Hans Zimmer’s glorious pipe organ-centered score, and the state-of-the-art cinematography both on a dust bowl dying Earth and a gravity defying galaxy were truly extraordinary encounters embedded forever in my... Continue Reading →

Flashback: Contagion (2011)

Although this Steven Soderbergh thriller is a bit dated, its subject matter couldn’t be any more timely. As the Coronavirus continues to make headlines and possibly touch the lives of people we know, a sense of fear is expected. For me, the manufactured fear found in movies is a necessary antidote. Contagion suffices (for now).... Continue Reading →

A Lesson for Ari Aster in The Lodge

Take it from Alan Alda in Crimes and Misdemeanors (1989) when he says, “If it bends, it’s funny. If it breaks, it’s not funny.” The same can be said about thrillers and horrors where suspension of disbelief is so fragile, the moment you push the otherworldly button too soon or too forcefully, you break the... Continue Reading →

Flashback: Be Kind Rewind (2008)

Like the muddy, carcass-filled trenches we so elaborately experienced in Sam Mendes’ brilliant 1917, this time of year in movies is “No Man’s Land.” Unless you’re into redundant ultraviolence (“Birds of Prey”), Tarantino-wannabe violence (I saw The Gentlemen when it was called Snatch, and I saw Snatch when it was called Lock Stock and Two... Continue Reading →

1917 Breaks Ground on the War Epic

1917 is a miracle in filmmaking. Never have I been so deep-seated in a journey through the shrapnel-infested bloodshed of war and my theatre chair at the same time. I blame it all on the camera work. The camera puts you right there. As British soldiers Blake (Dean-Charles Chapman) and Schofield (George MacKay) deliver a... Continue Reading →

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