Spencer: A Fable from a True Tragedy

The nuanced performance of Kristen Stewart as Princess Diana, the psychological interpretation of Director Pablo Larraín, and the mystery of what happens behind closed doors are exactly why the film medium was created in the first place: These components call for a multi-sensory experience of what could be safely read but valued more when felt.... Continue Reading →

The Awe in Dune

I never finished Frank Herbert’s novel; David Lynch’s movie adaptation put me to sleep; and I read enough about Denis Villeneuve’s latest being all set up with no payoff. This all being said, I went into Dune with no expectations because I didn’t think I earned them. I left Dune wholly enthralled. I was and... Continue Reading →

The Card Counter Dependably Not for Everyone

Filmmaker Paul Schrader is renown for taking us to the dingiest of places and introducing us to the gloomiest of people, and these are good reasons to watch the movies in the first place. Hopefully, we don’t want to be the imploding taxi driver, raging middleweight boxer, or guilt-ridden Calvinist priest, but it is surely... Continue Reading →

Three Movies to Start the Summer (in the theatre)

It is so good to be back in the movie theatre again. The vulnerability, air conditioning, and the screen of hopeful unpredictability are all part of the magical moviegoing experience that you simply cannot recreate at home with the pause button and ability to leave the action whenever you please (air conditioning optional). Today, I... Continue Reading →

Reely Bernie’s Top Ten of 2020

Ugh, what a year. I'm finally compiling the movies I enjoyed from 2020, and I find myself laughing at the horror of it all. It wasn't a bad year in film, but it wasn't all that great either. The year in general ended with a silver lining, as my wife and I welcomed a healthy... Continue Reading →

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