Score: A Film Music Doc (2016)

"We're the last people on earth who – on a daily basis – commission orchestral music. Without us, the orchestras might disappear..." -Hans Zimmer As a high school music teacher for 20 years and an avid moviegoer, I'm not sure how this one got away from me, but it showed up for free on my... Continue Reading →

Yup and Nope to “Nope”

Until its “ah-ha” moment at the end, Jordan Peele’s Get Out (2017) was a unique blend of almost satire, almost horror, and almost socioracial statement. Staying at almost would have kept it above standard, but there’s no denying the ending was a predictable horror movie cliché.  Peele’s second round with Us (2019) also started strong... Continue Reading →

The Satisfactory Polarization of “Elvis”

Watching a Baz Luhrmann movie is like sitting in front of a gold confetti-blasting canon. It’s style over substance, obnoxious over subtle – a nightmare for minimalist cinephiles like me. For anyone with a smidgen of an attention span, conveying a groundbreaking musician’s artistry on film just takes hitting a record button. Ever see last... Continue Reading →

The Batman Still Has Wings

An argument can be made that anything “Marvel Cinema Universe” is the same movie with 27 different titles. The formula never fails: Arrogant, grumpy, or emotionless hero + desensitizing CGI +/- obligatory love interest + forgettable villain who always possesses one less level of power = box office points. The DC Comics movies are no... Continue Reading →

“Worst Person” the Best Movie Out There

I remember seeing the trailer for this movie last year and thinking, “This looks like an ode to late-twenties selfishness. Puke.” But, then I thought: Isn’t that exactly the time when someone should be selfish, especially when it comes to relationships? Isn’t that exactly the time we are supposed to date in person (or online),... Continue Reading →

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