Who’s Afraid of Virginia Woolf? drank too much. Husbands and Wives couldn’t put the shaky cam down. Carnage indulged in contrivance.  The Invite falters via cello. Seriously, the first half is so immaculate in direction, editing, and performance nuance that I couldn’t help but wonder if it would have worked better without the distractingly strung score. This is minimalist comedy fit... Continue Reading →