I certainly had more favorite movies to choose from this year than last. I'm not sure if you will agree with me, but the quality, diversity, and creativity went up a level in 2023. Still, I’m well aware of a current transformation I’m experiencing as the eccentric, polemic indies I once adored now annoy me,... Continue Reading →
Reely Bernie Faves: Halfway Point and More Lists!
25 down, 25 to go. It has been an absolute joy reflecting on the formulative movies of my life and the people I saw them with. To be honest, I have found it impossible to keep my list from evolving as I gradually release it one movie at a time. There are just too many... Continue Reading →
Oppenheimer (2023)
Commendably rising above biopic banality and staying true to trademark nonlinearity tendencies, Writer/Director Christopher Nolan is only missing Hans Zimmer and an intermission. By alternating between black-and-white objective and the subjective in color, we experience a JFK-like injunction in which viewer interpretation is just as captivating as the controversial focus. In this case, we’re talking... Continue Reading →
Tenet: Why So Serious?
A friend of mine suggested an interesting notion for Christopher Nolan to consider: What about just writing the screenplay and leaving the artistic decisions to a different director? Would the never-ending 150 minutes go by faster? Would the main characters possess a heart and earn viewer empathy? Finally, would Nolan’s astounding time warp perplexities include... Continue Reading →
Flashback: The Dark Knight (2008)
No CGI-infested, Jack Nicholson-spectacled, comic book-possessed entry of the Batman filmography can ever top the mastery behind Christopher Nolan’s The Dark Knight (2008). When it was first released, this masterpiece with wings had three audiences: One for the sequel of Nolan's Batman Begins (2005), one for another interpretation of what was the sixth Batman-related... Continue Reading →