Flashback: Interstellar (2014)

Nothing can ever replace my experience of seeing Interstellar for the first time in the theatre. The perplexities of time warp in galaxial black holes, Hans Zimmer’s glorious pipe organ-centered score, and the state-of-the-art cinematography both on a dust bowl dying Earth and a gravity defying galaxy were truly extraordinary encounters embedded forever in my... Continue Reading →

Onward vs. The Invisible Man

I thought I'd give Prime Video Cinema a try since we're not allowed to leave our homes (and the theatres are closed). I'm not gonna lie, the two "In-Theatre" purchases I made were expensive. But, one of these movies was so good that I won't just see it again on my couch, I'll list it... Continue Reading →

Flashback: Contagion (2011)

Although this Steven Soderbergh thriller is a bit dated, its subject matter couldn’t be any more timely. As the Coronavirus continues to make headlines and possibly touch the lives of people we know, a sense of fear is expected. For me, the manufactured fear found in movies is a necessary antidote. Contagion suffices (for now).... Continue Reading →

A Lesson for Ari Aster in The Lodge

Take it from Alan Alda in Crimes and Misdemeanors (1989) when he says, “If it bends, it’s funny. If it breaks, it’s not funny.” The same can be said about thrillers and horrors where suspension of disbelief is so fragile, the moment you push the otherworldly button too soon or too forcefully, you break the... Continue Reading →

Flashback: Be Kind Rewind (2008)

Like the muddy, carcass-filled trenches we so elaborately experienced in Sam Mendes’ brilliant 1917, this time of year in movies is “No Man’s Land.” Unless you’re into redundant ultraviolence (“Birds of Prey”), Tarantino-wannabe violence (I saw The Gentlemen when it was called Snatch, and I saw Snatch when it was called Lock Stock and Two... Continue Reading →

1917 Breaks Ground on the War Epic

1917 is a miracle in filmmaking. Never have I been so deep-seated in a journey through the shrapnel-infested bloodshed of war and my theatre chair at the same time. I blame it all on the camera work. The camera puts you right there. As British soldiers Blake (Dean-Charles Chapman) and Schofield (George MacKay) deliver a... Continue Reading →

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