Reely Bernie Faves: Amadeus (1984)

I cherish my memory of seeing Amadeus (1984) for the first time with my dad when I was in the 6th grade. He would imitate Tom Hulce’s shriek of a laugh as I quickly put the second VHS tape in the VCR to continue watching the madness of a musical genius fall just as fast as he skyrocketed. It was an honor to complete the 160-minute legend of a story.

I also cherish the gleams of awe on my students’ faces when they see Amadeus for the first time and always ask, “Is that really how Mozart died?”

I experience Amadeus every year, and I observe new cinematic elements, character arcs, and musical nuances each time. And, that is what a cinematic masterpiece is—a capsule of never ending time.

The fictionalized history brilliantly holds true the atmosphere of the period and character impressions while also granting Director Miloš Forman the freedom to interpret. Did Mozart really possess an irritating shriek of a laugh and rip gas in front of European royalty? Probably not, but Tom Hulce’s portrayal of Mozart’s documented arrogance (and written obsession with flatulence) is humanly relatable and captures the spirit of Amadeus in one shrill, abrasive laugh.

Like Screenwriter Aaron Sorkin mixed and matched the historical evolutions of Steve Jobs (2015) while preserving the tone of his unparalleled ego, Amadeus portrays Mozart as a hippy prodigy while generating an entertaining education on Classical music, the patronage system, opera, and artistic rivalry.

Commendatore scene (Don Giovanni, Atto II, scena XIX) – W. A. Mozart (1756 -1791)

We follow Mozart’s punkish pink wig and rise in the 18-century Austrian music scene through the eyes of scathingly covetous Kapellmeister, Antonio Salieri—played by F. Murray Abraham, who wholeheartedly deserved the Best Actor Oscar. In the movie, Salieri worships Mozart’s genius as much as he despises God for creating a mediocre composer in himself.

Did the real Salieri envy Mozart this much? No, but the myth is a better story, making for a better play (Paul Schaffer as playwright) and a better, Oscar-winning movie. In reality, if any rivalry existed between Mozart and Salieri, it was in the measly competition for the vocal coach position of Princess Elisabeth of Wurttemberg. (Salieri won it.) In the end, and six years before Mozart passed, the two collaborated on a 4-minute long cantata entitled, “For the Recovered Health of Ophelia.” Not much there for a play, let alone a motion picture.

I prefer to believe in Amadeus’s Salieri who sickly devises to work Mozart to death as he writes his own Requiem literally on his own deathbed. I prefer to believe that Emperor Joseph II really was ignorant of anything music (“There are simply too many notes”). I want to believe that Mozart’s deceased father haunted him and influenced the masterwork, Don Giovanni. And, I want to believe in “Wolfi’s” laugh.

Lastly, one element no one talks about (and the Oscars snubbed for sure) is Amadeus’ seamless execution of editing. Using the process of match cuts, the story propels itself off one moment in time to another like a verse to a refrain. The most memorable match cut is when Mozart’s mother-in-law berates him for his slovenly behavior, and as her mouth moves up and down with mad shouts, the movie turns her voice down but matches her mouth movement to the singing of the Magic Flute Soprano in the next scene. It is an astounding transition only achievable by a movie.

I am jealous of anyone who gets to see this historical fiction phenomenon for the first time. And, if you’ve already heard Mozart’s cackle, please share your thoughts.

Amadeus is my favorite movie of all time. There, I said it 🙂

Reely Bernie Faves:

1. Amadeus (1984)

2. Magnolia (1999)

3. Poltergeist (1982)

4. Pulp Fiction (1994)

5. The Empire Strikes Back (1980)

6. The Godfather Part II (1974)

7. Weekend at Bernie’s (1989)

8. Mad Max 2: The Road Warrior (1981)

9. Goodfellas (1990)

10. Nosferatu (1922)

11. Pollock (2000)

12. Kicking and Screaming (1995)

13. Jaws (1975)

14. Fargo (1996)

15. Citizen Kane (1941)

16. The Blair Witch Project (1999)

17. The Endless Summer (1966)

18. Back to the Future (1985)

19. Angel Heart (1987)

20. The Passion of Joan of Arc (1928)

21. The Goonies (1985)

22. Trainspotting (1996)

23. King of Kong: A Fistful of Quarters (2007)

24. Raiders of the Lost Ark (1981)

25. Bambi (1942)

26. The Paradise Lost Trilogy (1996-2011)

27. Psycho (1960)

28. Parenthood (1989)

29. Swingers (1996)

30. Terminator 2: Judgment Day (1991)

31. The Diving Bell and the Butterfly (2007)

32. Smoke (1995)

33. Friday the 13th Part 2 (1981)

34. A Hard Day’s Night (1964)

35. Edward Scissorhands (1990)

36. City of God (2002)

37. 1917 (2019)

38. Black Swan (2010)

39. School of Rock (2003)

40. Mulholland Drive (2001)

41. Groundhog Day (1993)

42. If Beale Street Could Talk (2018)

43. The Greatest Showman (2017)

44. National Lampoon’s Vacation (1983)

45. The Florida Project (2017)

46. Cinema Paradiso (1988)

47. So I Married an Axe Murderer (1993)

48. Shadowlands (1993)

49. Steve Jobs (2015)

50. ¡Three Amigos! (1986)

26 thoughts on “Reely Bernie Faves: Amadeus (1984)

Add yours

  1. Have you ever watched the director’s cut? There are scenes that add a certain amount of sinister darkness and sadness that really subtract from the overall playful sheen surrounding the film. One of the reasons why I end up enjoying the theatrical releases better than Director’s cuts – it takes a keen eye to polish a film in the editing room.

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    1. Hey, “NoBarbeque!” Thank you for leading our school for a while 😉 I just added this to my Watchlist. You make another great point about the editing of this movie and editing in general: without the “keen eye to polish,” we get something that is too busy and pulled back from the focal points. I’ll still watch this director’s cut, but you’re right: I will miss the necessary and effective intention of “playful sheen” that made this movie work so well! No barbeque.

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  2. So this is what happens when I take a prolonged break from WordPress…Bernie busts out with his all-time list? This looks like a great series – lots of variety with some surprise entries as well. It is very nice to return to WP and be welcomed by this. I know your young ones must keep you very, very busy. Nice to be back here sir, and if you are able, I am looking forward to your thoughts on any holiday films you take in.

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    1. Bruce! Great to have you back! I’ll be taking a much deserved break soon myself. I always appreciate your support and kind thoughts. The daughters are great, just sick with typical day care illness. We’re all hanging in there and excited for Christmas!

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  3. I love Amadeus, such a wonderful, colorful, explosive movie. Would definitely find a spot in my best of list, too. I really enjoyed your list, Bernie, and will miss these reviews – maybe now you could make one for soundtracks?? 😀

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  4. A very enjoyable series. Some I love (Magnolia, Pulp Fiction and Citizen Kane and more) some are mystifying. I really can’t see what’s so great about Amadeus (sorry). But clearly your experiences of seeing the films are to the fore, and I’ll drink to that! I’m energised to compile my own list, but it’s well nigh impossible to get everything in order. Look forward to more of your top films.

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    1. Shane, let me know when you start creating your list. It seems like you travel a lot. Like, a lot! Where are you stationed at, and is there a good variety of current cinema out there? Any faves from 2023?

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      1. Hey Bernie, Bray, Ireland is home. There’s a local arthouse theatre and plenty of cinemas up the road in Dublin. Some good filmmakers, Neil Jordan, Lenny Abrahamson and others. These days I watch online, tv or DVD for my cinematic pleasure. Banshees of Inisheerin (2022) is a recent pleasure. But I will catch up.

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  5. I love Amadeus! My earliest exposure to the story was when The Simpsons parodied it. Though it wasn’t long before I watched the actual movie. I actually watched Amadeus in my 8th grade middle school music class. Fun fact, my teacher showed three Best Picture winning movies involving music every school year. 6th grade was Oliver!, 7th grade was West Side Story, and 8th grade was (you guessed it) Amadeus. Everyone assumed the story of Mozart would be boring, but his goofy laugh hooked me immediately. The characterization is bold and it gave me an even greater appreciation of classic music. The 80’s weren’t the most iconic year for Best Picture winners, but Amadeus is a definite standout that I have seen more than once.

    On a personal note, it’s great to see we both chose Best Picture winners for our #1 spot. I’m gonna miss this series of yours. It’s always nice getting to know someone better through their love of movies.

    Liked by 1 person

    1. So cool about your middle school Oscar move inclusions. Yeah, the music teacher and movie fanatic in me just had to go with my beloved Amadeus for #1. Thank you for your support and contributions to my humble project. Since July, it’s been a lot of fun going back in time and reflecting on who I am through the movies. Time for a little break, but I’m excited for new movies in December—the best month for Oscar potential, as you know 😉 Best to you and thanks again!

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  6. It’s been a lot of fun going through these 50 titles — some very interesting picks and a few we have in common. Some “mainstream” ones (Terminator 2; Three Amigos; Back to the Future) but then some more unexpected ones like Magnolia, for example — the first time I watched that I thought it was terrible. It really has grown on me since, it’s an incredible work and arguably PTA’s greatest movie (yes I’m saying that in complete awareness of There Will Be Blood and that beyond ridiculously brilliant ending). Cool to see you regard Swingers so highly — that’s a formative one for me.

    I understand completely why you have what you have at the #1 spot — you clearly express how personal some movies become and this choice would make a lot of sense (without me having seen the film). Some movies just are . . . they’re waiting for us to find them and fall in love with them.

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  7. ‘I want to believe that Mozart’s deceased father haunted him and influenced the masterwork, Don Giovanni.’
    In 1787 when it was written Mozart was deeply worried for his fatally ill father. I think it did influence him.
    I loved reading your No1. It was like reliving the experience of seeing it Bernie. I look forward to 50 – 90. haha.

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    1. It must have. So much pressure to appease both his father’s expectations, the royalty, and his own personal creative instincts.

      Nah, haha, other than my Top Ten of 2023, I’m done with lists for a while. It was such a fun project since I started in July, but it’s time for a break 🙂

      The kiddos are getting tougher to look after, and I’m trying to be more diligent about my back health. Some good self-care and a few movies in the theatre are what I’m looking forward to in December—the best month for new movies, by far 🙂

      Matt, have a great week this week. Thank you for you support and contributions throughout my project. It means a lot to me 🙂

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      1. I’m going to sorely miss your movie reviews. That’s for certain. I can see how the child maintenance is becoming more time consuming.
        I’m looking forward to a good new movie. Speaking of meaning a lot – I point you to Alison Moyet’s ‘Only You’. The best of the quagmire lol

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  8. I thought this luminous list may well wind up with “Titanic”, our friend. And yet, all things considered, this one makes total sense, maestro.

    What a fantastic, and FUN, ride it’s been.

    Liked by 1 person

    1. Thanks for taking the ride, John! The music teacher in me prevailed, and Amadeus is just so so good. Titanic is formative for sure, but I always found it too syrupy, even today. And, that door was big enough for two!

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