Reely Bernie Faves: Black Swan (2010)

No director can get inside your head like Darren Aronofsky. He pushes his actors and actresses to physical and psychological extremes and challenges his viewers to accept both the real and the imaginary as truths. In Black Swan, Natalie Portman threw all self-preservation to the wind, trained for 8 hours a day, 6 days a week at NYC ballet studios and sacrificed her body to implore the needs of Tchaikovsky’s music, Aronofsky’s vision, and the madness of playing a person with paranoid schizophrenia. Or, is it dissociative identity disorder? No matter—this is an impressionistic piece, placing mood in front of the literal.

Some say it’s gothic, melodramatic, psycho-thrilling, operatic, hallucinatory.

I say, yup.

This is the kind of movie that drives Marvel Cinema Universe stans nuts, and a strong case can be made that images stay with you longer than action.

For me, the pull in Black Swan is found in its obsession with performance perfection and ferocious studio competition. Lead/understudy, white swan/black swan, Director/manipulator—there’s really no safe place on the stage except in the embrace of a standing ovation.

True to life or debunked, there’s enough movie in this movie to lift the veil on a professional artistry we would normally never witness. This is a classic example of entertainment and escape over facts and biography. Like he did to Brendan Fraser in The Whale (2022), Jennifer Lawrence in Mother! (2017), and Mickey Rourke in The Wrestler (2008), Aronofsky throws Natalie Portman to the wolves. There’s enough ambiguity for us to hope for the best and expect the worst. (That ending—wow.)

Darren Aronofsky reviewing ballet choreography with Natalie Portman.

A challenging view from start to finish, and, for me, theatrical release to dozens of reps at home.

Reely Bernie Faves:

1. Amadeus (1984)

2. Magnolia (1999)

3. Poltergeist (1982)

4. Pulp Fiction (1994)

5. The Empire Strikes Back (1980)

6. The Godfather Part II (1974)

7. Weekend at Bernie’s (1989)

8. Mad Max 2: The Road Warrior (1981)

9. Goodfellas (1990)

10. Nosferatu (1922)

11. Pollock (2000)

12. Kicking and Screaming (1995)

13. Jaws (1975)

14. Fargo (1996)

15. Citizen Kane (1941)

16. The Blair Witch Project (1999)

17. The Endless Summer (1966)

18. Back to the Future (1985)

19. Angel Heart (1987)

20. The Passion of Joan of Arc (1928)

21. The Goonies (1985)

22. Trainspotting (1996)

23. King of Kong: A Fistful of Quarters (2007)

24. Raiders of the Lost Ark (1981)

25. Bambi (1942)

26. The Paradise Lost Trilogy (1996-2011)

27. Psycho (1960)

28. Parenthood (1989)

29. Swingers (1996)

30. Terminator 2: Judgment Day (1991)

31. The Diving Bell and the Butterfly (2007)

32. Smoke (1995)

33. Friday the 13th Part 2 (1981)

34. A Hard Day’s Night (1964)

35. Edward Scissorhands (1990)

36. City of God (2002)

37. 1917 (2019)

38. Black Swan (2010)

39. School of Rock (2003)

40. Mulholland Drive (2001)

41. Groundhog Day (1993)

42. If Beale Street Could Talk (2018)

43. The Greatest Showman (2017)

44. National Lampoon’s Vacation (1983)

45. The Florida Project (2017)

46. Cinema Paradiso (1988)

47. So I Married an Axe Murderer (1993)

48. Shadowlands (1993)

49. Steve Jobs (2015)

50. ¡Three Amigos! (1986)

28 thoughts on “Reely Bernie Faves: Black Swan (2010)

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    1. You know, you might be right. They’re both exploratory worlds in the fierce scholarly performing arts field, and there isn’t a forgiving soul on the stage. But, I’m giving Black Swan applause for landing the punch 13 years ago 🙂 Happy week to you! It’s already Monday?!

      Liked by 1 person

      1. Landing the early punch. I didn’t to wake up to that Bernie haha. As soon I saw your review I thought Tar. I love that movie and I know you do too. So no more punching. I have to see Black Swan again, because I only saw it once. The lesbian scene, maybe a few more time but let’s keep that a secret.

        Liked by 1 person

        1. Ha! Yes, I loved Tar and considered it for my list, but I could only pick 50 for my humble project. It’s been fun doing this, but so many titles couldn’t make the cut… no more punching 🙂

          Liked by 1 person

          1. You ain’t Rocky, you’re Bernie. Get a grip lol Yeh 50 is tough. I haven’t updated my 100 list in ages. I would definitely throw Tar in their somewhere. But I need to see that one again to get a better appreciation of its merit. So many movies, and so little time Arghhhhhh. You know how it is.

            Liked by 1 person

            1. I’m looking forward to that.
              ‘Roma’ (Mexico), ‘A Separation’ (Iran), ‘The Secret in Their Eyes’ (Argentina), ‘There Will Be Blood’, ‘Phantom Thread’, Rocky 1 (Oops I had to drop that one in), … No love?

              Liked by 1 person

  1. This is my favourite of your bunch so far. 😀 I was mesmerised by Natalie’s performance. She has the perfect face for close-ups, and a luminosity that Aranofsky captured perfectly.

    Liked by 1 person

    1. Hey, awesome! We found some popular culture common ground! Yes, Natalie is mesmerizing, and I should have mentioned the heated sexual/ambiguous relationship with Mila Kunis – her rival, alter ego, and love interest. So so good!

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  2. As a former dancer, it was interesting to watch. I never danced on this level but I can understand the meaning of trying or wanting to be perfect. The wear and tear on your body and the injuries are not easy. I remember when we first started pointe, one of the girls cried during class and one of the teachers said, “someone got their first blister.” I still enjoyed the movie, even with all the psychological hurdles she deals with and trying to perform a perfect performance.

    Liked by 1 person

    1. So nice to hear from a dancer on this one! I’ve read that most professional dancers despised the movie for being too over the top, but I think that’s part of the point of the movie. I’m glad you were able to connect and enjoy the commitment the actors and actresses put into it. Thank you for sharing! Happy Sunday

      Liked by 1 person

        1. Great point. Although, as a piano player all my life, I’ve seen a few “tortured” souls in many facets of artistry – dance, music, stage. Like you said, not all, but it does go with the territory that for whatever reason (mental illness, addiction, trauma, etc.), some of the greats frown with despair when they are by themselves backstage. I’m grateful to be more of the Mila Kunis character type and kind of shrug my way through the drama of it all, haha

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