Reely Bernie Faves: Mulholland Drive (2001)

For me, all of David Lynch’s oddities offer an evocative perspective on the American dream turned nightmare, the ‘burbs behind locked doors, and the mystery of rabbits. None of it makes sense narratively or chronologically, and Lynch is notorious for not providing explanations. Yet, if you dig his noirish style and peeping tom pace, the experience can be horrifyingly appealing. I guess you know when you’ve seen a David Lynch film, and his cultish mark on film can be appreciated as much as enjoyed.

Mulholland Drive is a tad weird-for-the-sake-of-weird, especially in the end. However, Lynch is able to fuse all of his trademarks of the past to create a world in which time sequences aren’t repeated, but the characters’ opportunities to develop are. Does that make sense? If it doesn’t, Mulholland Drive is the only movie in which the “it-was-all-a-dream” copout can be justified without being a cheap trick. It’s a play on swapping character personas and reacting differently to the same scenario in someone else’s shoes. (Or getting a second chance to look behind the dumpster.)

It’s kind of like fusing Alfred Hitchcock’s “Vertigo” (1958) into Ingmar Bergman’s “Persona” (1967) and swapping wigs

There’s the mystery of the blue box, there’s a satire on diva actresses to tear apart, an operatic interlude interrupts everything, Hollywood is cloaked with secrets, and, yes, there’s something horrific behind the dumpster.

It’s all so peculiar, and most necessarily—it’s also funny! The bullet through the wall into the vacuuming custodian is beautifully choreographed and full of guilty pleasure chuckles. How about the infamous “This is the girl”/napkin/expresso spew scene? So undeniably bizarre and yet brilliantly executed with closeup edits and uncomfortable silence.

I guess you can just call it “Lynchian,” and although its tenuous narrative certainly isn’t everyone’s cup of espresso, there’s enough allure to turn off the logic and surrender completely.

Reely Bernie Faves:

1. Amadeus (1984)

2. Magnolia (1999)

3. Poltergeist (1982)

4. Pulp Fiction (1994)

5. The Empire Strikes Back (1980)

6. The Godfather Part II (1974)

7. Weekend at Bernie’s (1989)

8. Mad Max 2: The Road Warrior (1981)

9. Goodfellas (1990)

10. Nosferatu (1922)

11. Pollock (2000)

12. Kicking and Screaming (1995)

13. Jaws (1975)

14. Fargo (1996)

15. Citizen Kane (1941)

16. The Blair Witch Project (1999)

17. The Endless Summer (1966)

18. Back to the Future (1985)

19. Angel Heart (1987)

20. The Passion of Joan of Arc (1928)

21. The Goonies (1985)

22. Trainspotting (1996)

23. King of Kong: A Fistful of Quarters (2007)

24. Raiders of the Lost Ark (1981)

25. Bambi (1942)

26. The Paradise Lost Trilogy (1996-2011)

27. Psycho (1960)

28. Parenthood (1989)

29. Swingers (1996)

30. Terminator 2: Judgment Day (1991)

31. The Diving Bell and the Butterfly (2007)

32. Smoke (1995)

33. Friday the 13th Part 2 (1981)

34. A Hard Day’s Night (1964)

35. Edward Scissorhands (1990)

36. City of God (2002)

37. 1917 (2019)

38. Black Swan (2010)

39. School of Rock (2003)

40. Mulholland Drive (2001)

41. Groundhog Day (1993)

42. If Beale Street Could Talk (2018)

43. The Greatest Showman (2017)

44. National Lampoon’s Vacation (1983)

45. The Florida Project (2017)

46. Cinema Paradiso (1988)

47. So I Married an Axe Murderer (1993)

48. Shadowlands (1993)

49. Steve Jobs (2015)

50. ¡Three Amigos! (1986)

32 thoughts on “Reely Bernie Faves: Mulholland Drive (2001)

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  1. I am a real Lynch sceptic (my favourite of his films is his most traditional, The Elephant Man) – but Mulholland Dr is the one where all the oddness, eccentricity and weirdness comes together into something mesmeric and unknowable. The best outcome ever for a cancelled TV show?

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    1. Great point about the cancelled TV show trivia. I’m not sure if any major network would use it back then, but I think an openmindedness today would consider it. A lot of the TV show scraps were puzzled into the movie. I just loved how I was scared, laughing, and dumbfounded during the entire viewing in the theatre.

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  2. Heh, definitely not my ‘cup of espresso’ … I’ve tried at least three times that I can remember to get into it and have run up against my ‘oh, FFS!’ exasperation, every time. 😀

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    1. Haha, I don’t know what “FFS” means, but I’m pretty sure I can guess. Yeah, this is a weird one, and it takes a different breed of cat to last through the end. Glad you tried at least (3 times).

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  3. I should revisit this one, amigo. It seemed like weird just for the sake of weird. Kinna like Lynch’s “Inland Empire”. Poor Laura Dern could not have understood what her character was even doing at any TIME in this test of our patience. Incidentally, you may be aware that Lynch is a Spokanite. Says he drew his “behind closed doors lurks…” film sensibility from his experience growing up in “The Lilac City”. Hmmm…

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    1. It’s funny: Inland Empire and Lost Highway were too “beyond” for me, but M. Drive had just enough conventional elements to keep me grounded and entertained. I didn’t know that about Lynch! I tonight he was from Portland, OR. If there’s one thing he’s a master at, it’s enveloping the curious eye that wants to look at what’s going on behind the walls of a “normal” suburban home. Come to find out, there’s a lot of weird sh*t going on in many of them, haha!

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  4. Hi Bernie. Huge fan of this movie and I’m glad it made your list. I did a review on it as well. I really love the description: ‘It’s kind of like fusing Alfred Hitchcock’s “Vertigo” (1958) into Ingmar Bergman’s “Persona” (1967)’.

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        1. I’m going to look up all their movies, but I would probably rank it about the same, but B.F. is something otherworldly, akin to the feel of Persona and Mulholland Dr. ‘The Big Lebowsky’ would undoubtedly be up there and ‘No Country for Old Men’ (the editing in that film..wow). I think ‘Burn After Reading’ is way underrated. I have about 5 (or perhaps more? including Fargo) which I cherish. Them and Paul Thomas Anderson movies are the ants-pants lol.

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          1. PTA is one of my faves too. Burn After Reading gets better with each viewing, come to find out that every single person doesn’t have a brain, haha! Gosh, I even cherish the atmosphere of Miller’s Crossing…

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            1. Yeh, Miller’s Crossing is fantastic too. I think if I had to choose just one movie from them which I just wanted to have fun with and not be fraught with ‘too much heavy stuff’ then it might be ‘Burn After Reading’. Such a good and funny movie which is not weighted down by their usual modus operando ie ‘Inside Llewyn Davis’. But that scene (and music) with the cat on the subway is about my favourite I’ve seen from them.

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            2. Yeh, it contains a great music soundtrack. Both Fare Thee Well (Dink’s Song) by Oscar Isaac & Marcus Mumford and Farewell by Bob Dylan are my to favourite songs on it, but there are other cool ones as well. The other scene I love in it is Please Mr Kennedy in the music studio.

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  5. This movie in my opinion delves into the mind of a psychotic. Most of the film is her inner warped imagination that she believes to be true

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    1. That’s a valid interpretation to be sure! I never understood the older couple’s purpose and why they became small little intruders. Might need a therapist for that one…

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