Nosferatu in Spandex

Played more like a rabid dog, cowering in the corner, Max Schreck’s interpretation of Nosferatu in 1922 is less a spectacle and more a freak of nature. The audience can’t help but feel fear turned to pity, as if the Phantom of the Opera becomes tangible reality, and the myth lingers in the fog.  Robert... Continue Reading →

Banshees of Inisherin an Ode to Loneliness

Playwright Martin McDonagh writes with a knife to a rock, etching in truths that are hard for his characters to swallow. “I just don’t like you no more,” Colm Doherty tells his long-time friend and drinking buddy, Pádraic Súilleabháin. It is the stuff of absurd finality that one either laughs off as “only the Irish”... Continue Reading →

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