Yup and Nope to “Nope”

Until its “ah-ha” moment at the end, Jordan Peele’s Get Out (2017) was a unique blend of almost satire, almost horror, and almost socioracial statement. Staying at almost would have kept it above standard, but there’s no denying the ending was a predictable horror movie cliché.  Peele’s second round with Us (2019) also started strong... Continue Reading →

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