Licorice Pizza **1/2

Reely Bernie on Letterboxd I still think Paul Thomas Anderson peaked with Magnolia (1999), but everything afterward sparks the same anticipation we give Quentin Tarantino films. We’re curious because these movies behave like postmodern disobediences to the greats (Scorsese, Lumet, Leone, Altman), but they can’t help but be influenced by them either. In a way,... Continue Reading →

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