Rear Window (1954): A Timely Feature

Quarantine. Lockdown. Shelter in place. No one would have guessed such dystopian, sci-fi concepts would become a reality for the last three months of our lives. L.B. “Jeff” Jefferies could empathize. He broke his leg and has been wheelchair-ridden in his small, quaint New York City apartment for six weeks. The once renowned freelance photojournalist... Continue Reading →

Movie Critic 101: Action!

One of the most effective ways to write a movie review is to apply the movie’s theme to the world today. Whether it be political, social, spiritual, or philosophical, the question to pursue is: What is going on in this movie that directly relates to my experience right now? Through the lens of the camera... Continue Reading →

Movie Critic 101: A Summer Mini Course

I am so excited to teach a five-week online "mini course" on film criticism through my high school this summer! We provide this opportunity for our students as a way to "sustain connection with our school community during this unprecedented time." These mini courses are free of cost and an ideal way to keep our... Continue Reading →

Flashback: Bernie (2011)

I love my unique first name. Even with its immediate connection to the presidential race dropout, Senator Bernie Sanders, I find my Bernie identity special. Heck, I’m the second youngest Bernie I know! Before Sanders, people used to associate my name to the comedy, Weekend at Bernie’s (1989), in which the titular character’s murdered body... Continue Reading →

Flashback: Fargo (1996)

There’s a twisted part of me that recognizes Fargo (1996) as a comedy. I don’t think the Coen Brothers would contest this. In fact, I think they were going for comedy all along. Internet Movie Database (imdb.com) and Letterboxd have Fargo labeled under the genres of Drama, Crime, and Thriller.   But, when I first... Continue Reading →

Flashback: Interstellar (2014)

Nothing can ever replace my experience of seeing Interstellar for the first time in the theatre. The perplexities of time warp in galaxial black holes, Hans Zimmer’s glorious pipe organ-centered score, and the state-of-the-art cinematography both on a dust bowl dying Earth and a gravity defying galaxy were truly extraordinary encounters embedded forever in my... Continue Reading →

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