Mary Poppins (1964) and Mary Poppins Returns (2018)

After dozens of viewings with my young daughters, I still come to the same conclusion: Julie Andrews and Dick Van Dyke are exceptional both in musicianship and laser point expression, the knack for lyrical metaphor is astounding, and the grownup sense of humor sneaks in seamlessly with the kiddo magic. The gigantic soundstage that envelops Cherry... Continue Reading →

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