In many ways, the work of a critic is easy. We risk very little, yet enjoy a position of authority over those who offer up their work — and their reputations — to our judgment. We thrive on negative criticism, which is fun to write and even more fun to read. But the bitter truth... Continue Reading →
Top 50 Reely Bernie Faves
“But it’s good. It’s my life.” -Becky (Juliette Lewis) from What's Eating Gilbert Grape (1993) It’s good. It’s my list. It was an absolute joy reflecting on 50 formative movie favorites of mine, recalling who I saw them with, and realizing how much the 1980s complete me (fourteen titles from that whacky decade made my... Continue Reading →
Reely Bernie Faves: Citizen Kane (1941)
There are the extraordinary off-screen credentials of Orson Welles as co-writer, producer, director, and star at the ripe age of 25. Then, there is the on-screen execution of cinematic artistry that trailblazed everything we use today: matte cutting, boom mic sound, mise en scène, chroma key layering, pristine cinematography, MacGuffin, flashback sequence, wide-angle/deep focus lenses,... Continue Reading →
“Greatest” ≠ “Favorite” Movies
I’ll never forget flipping through Entertainment Weekly’s 100 Greatest Movies of All Time magazine at the Gonzaga University Bing Crosby Student Center. It was October 1999, and the trend of releasing as many “Top,” “Best,” and “Greatest” lists was exploding before the world itself was predicted to explode. Y2K anticipation was all about the fear... Continue Reading →