Reely Bernie Horror Fest: Ghostwatch (1992)

To fully appreciate the found footage trope and the intrigue of media fakery, Ghostwatch is essential viewing. There’s a charming innocence to its “live TV special” premise, set in a claustrophobic, purple-carpeted British flat and driven by sincere performances that help sell the illusion. Michael Parkinson deserves particular praise for portraying a convincing host whose steady skepticism mirrors the viewer’s—until it no longer can.

Still, the sequence of events and the “scripted spontaneity” feel too carefully controlled to fully sustain disbelief. By contrast, The Blair Witch Project (1999), with its improvised chaos and raw, often vulgar dialogue, taps into the imagination far more effectively.

Originally aired by the BBC in 1992, Ghostwatch reportedly caused a public uproar. And it’s easy to see why—there are genuinely chilling moments when the camera lingers just long enough to reveal shadowy figures lurking in the background. The slow burn of the supernatural unfolding feels surprisingly modern, laying the groundwork for the found footage genre as we know it.

Though tamer and more predictable by today’s standards, Ghostwatch deserves recognition for bringing the ghost story into the living room—disguised as family-friendly programming that recoils from the horrors it accidentally uncovers, just like its audience.

Ghostwatch (1992) ****

6 thoughts on “Reely Bernie Horror Fest: Ghostwatch (1992)

Add yours

    1. Loved it, John! You have a knack for Roger Ebert conciseness and wit, my friend 🙂 I’m glad you liked it. In its “tameness,” it still kind of creeped out my wife, who acted like it didn’t scare her, but the ending got to her, haha!

      Liked by 1 person

    1. This is like the “Citizen Kane” of found footage, as most material is utilized in today’s attempts. The first half is “cute,” and then it gets real. Thank you for reading, Bruce! I love October!

      Liked by 1 person

Leave a comment

Create a website or blog at WordPress.com

Up ↑